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However, at its roots, fuji is a mixture of Muslim traditional were music'ajisari songs with "aspects of apala percussion and vocal songs and brooding, philosophical sakara music"; of these elements, apala is the fundamental basis of fuji.The first stars of fuji were the rival bandleaders Alhaji Sikiru Ayinde Barrister and Ayinla Kollington.Alhaji Sikiru Ayinde Barrister started his fuji career in the early 1970s with the Golden Fuji Group," although he had sung Muslim songs since he was 10 years old.He first changed his group's name to "Fuji Londoners" when he came back from a trip to London, England.His lyrics were a mixture of improvised praise and passages from the Quran, as well as traditional proverbs.His work became a formative influence on the developing fuji style.The late 1960s saw the appearance of the first fuji bands.Fuji was named after Mount Fuji in Japan, purely for the sound of the word, according to Alhaji Sikiru Ayinde Barrister.

Fuji has been described as jùjú without guitars; ironically, Ebenezer Obey once described jùjú as mambo with guitars.Rock N' roll, soul, and later funk, became very popular in Nigeria, and elements of these genres were added to jùjú by artists such as IK Dairo.Meanwhile, highlife had been slowly gaining in popularity among the Igbo people, and their unique style soon found a national audience.However, a few performers kept the style alive, such as Yoruba singer and trumpeter Victor Olaiya (the only Nigerian to ever earn a platinum record), Stephen Osita Osadebe, Sonny Okosun, Victor Uwaifo, and Orlando "Dr.Ganja" Owoh, whose distinctive toye style fused jùjú and highlife.

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Nigeria has some of the most advanced recording studio technology in Africa, and provides robust commercial opportunities for music performers.